CHARLES-ANTOINE COYPEL
CHARLES-ANTOINE COYPEL (1694 – Paris – 1752) Portrait of Philippe Coypel and His Wife Pastel on blue laid paper, pieced, laid down on canvas. 35-11/16 » x 28-3/4 » in. The Art Institute of Chicago.
CHARLES-ANTOINE COYPEL (1694 – Paris – 1752) Portrait of Philippe Coypel and His Wife Pastel on blue laid paper, pieced, laid down on canvas. 35-11/16 » x 28-3/4 » in. The Art Institute of Chicago.
TOUSSAINT DUBREIUL (1561 – Paris – 1602 ) Nude Warrior (Mars?) Leaning Over a Volute (recto); Nude Child Playing with a Viola (verso). Pen and brown ink, over black chalk underdrawing (recto); black and red chalk (verso). 10-11/16 » x 6-11/16 » in. The Getty Museum.
JEAN COUSIN, known as the FATHER (ca. 1490 – ca. 1560 ) Armor of France II, known as the Mars and Victory Breastplate. Pen and black ink, gray wash, traces of black stone. Louvre Museum.
(1523 – Bruges – Florence – 1605 ) The Flaying of Marsyas Pen and brown ink and brown and red washed, heightened with white paint (or gouache), on paper prepared with red washes. 8-5/16 » x 12-3/8 » in. The Cleveland Museum of Art.
(1758 Cluny – Paris 1832) Head of Love, According to the Union of Love and Friendship Black chalk highlighted with white gouache. 38.5 x 27.5 cm. After 1793. Private collection.