Self-portrait Watercolour and gum arabic over pencil 297 x 218 mm Circa 1817 Frederic Millet’s initial teachers were d’Aubry, Pernot, and Isabey and he was one of the latter’s best pupils. Between 1806 and 1859 he regularly exhibited at the Salon as a portraitist and was one of the most accomplished miniaturists of his period.…
(1774 Paris-Rome 1833) Etude pour le portrait de Louis de La Rochejaquelein Pierre noire rehaussée de blanc, sur papier bleu 610 x 460 mm 1819 Bibliographie : Fabien Pillet dans Le Journal de Paris, 31 août 1819; Delécluze dans Le Lycée français, 20 octobre 1819; « Les Portraits des généraux vendéens, commande et critique, diffusion et…
(Pistoia 1623 – 1703 Roma) The continence of Scipio Black chalk, pen and ink and brown wash, heightened with white gouache on blue paper 365 x 225 mm Annotated : Pietro da Cortona In 1647, Baldi left Pistoia for the Roman workshop of Pietro da Cortona, and was, with Ciro Ferri, one of the most promising…
The ruins of Château de Saint Cloud: the Salon of Mars, leading to the Gallery of Apollo Watercolour over pencil Signed lower left: WWyld. Inscribed in pencil, verso: The Palace. St Cloud / the dome of the Invalides is seen through the window on the left 350 x 266 mm Provenance: Sir Mathew Thorpe, England…
(1830 Scarborough – Kensington 1896) Two studies of man for « Golden Hours » and « Orpheus and Eurydice » Black chalk and white chalk on blue paper 290 x 200 mm Inscribed with pencil : Golden hours 1864 Lord Frederic Leighton was one of the most influential and virtuosic artists of the Victorian era, a brilliant and stylistically adventurous painter…
Study of a young lady reading Red chalk heightened with white on buff paper Stamped lower left: Beurdeley collection (Lugt 421) 237 x 189 mm PROVENANCE: Beurdeley collection Pierre Chasselat was a pupil of Joseph-Marie Vien and was initially taught as a miniature painter. His first known miniature is of a lady in a…
Study of a Flower Gouache 390 x 267 mm Signed and dated lower left : fait d’après nature par/GV Spaendonck 1778 Our Study of a Flower, from the gillyflower family, is dated 1778, quite early within the artist’s oeuvre. It was in 1780 that he was named professor of flower painting at the Jardin du…
View of the Forum, with the columns of the temple of Vespasien Pen, brown ink and watercolor over pencil 14 3/8 x 21 ¼ in. (365 x 540 mm) Signed and dated: S Corrodi.fec. / Roma. 1845 Corrodi was a pupil of Wetzel and followed him on many of his trips to France, Germany…
(1743 Danemark 1809) The sun god Apollo entering the constellation of Cancer, emblematic of the summer solstice and The sun god Apollo entering the constellation of Capricorn, emblematic of the winter solstice Pen, ink and wash over graphite 220 x 145 et 230 x 165 mm Both inscribed: abilgaard One inscribed: 3732 and Korteste Dag The other inscribed 3731 and Laengste Dag…
(1725 Tournus – Paris 1805) L’amour dictant une lettre à une jeune fille Ink, wash and white gouache on blue paper 410 x 306 mm Circa 1765/70
